Covering Crime and Justice Written and edited by
Criminal Justice Journalists
www.reporters.net/cjj/

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Chapter 1
The Crime Beat

In this chapter


Introduction
About the Beat
Beat History
Crime Defined
Crime Beat Basics
   Editors
Beat Background
   Meet Key Personnel
   Tour All Facilities
   Police Training
   Shadow a Cop
   Look Beyond
      Sworn Personnel

The Arrest Process
   Arrest
   Miranda Warning
   Booking and Bail
   Arraignment
   Perp Walks
   Access After Arrest

'Bad News' Beat
Crime Reporters
   at Work
   Demographics
   Job Satisfaction
   Stress
   Personal Safety
   Twin Cities Examples
   Turnover and Burnout

Crime Beat Issues
   The Appeal of
      Crime News
   Fame and Infamy
   Interesting vs. Important
   The Public-Health
      Perspective
   Who Counts?
   Suspect Descriptions
   Tone and Taste
   Knocking on Doors
   Rights of Victims
   Sexual Assault
   Rights of Suspects
   Crusades, Crime
      and Context

Digging In
   Sources
   Board of Directors
   Police-Media Relations
   PIOs
   New Paradigm
   Access Limits
   A News Blackout
   Doing Our Job?
   Uncooperative Sources
   Source Conflicts
      of Interest
   Hoax Sources
   GOYA/KOD

Enterprise
   Money and Numbers
   Crime Statistics
   Be Prepared
   Twelve Questions
   Writing the Story

Evaluating Your
   Agency
Corruption and
   Rogues
   Lessons Learned
   Early Warning on
      Trouble Cops

Access and
   Records
   Rap Sheets, Prison
      Records, Mug Shots
   Access and Property
      Provisions

If You Face Arrest



     

Digging In
Sources
The ability to develop sources is a hallmark of exceptional journalists. Some reporters make the mistake of seeking out sources only when faced with deadline pressure. Source relationships need cultivation, especially on the crime beat, where so many cops are suspicious of journalists.

One journalism textbook quotes a Michigan cop about the issue of trust: "It may sound paranoid to you, but outside of my fellow officers I don't trust anyone except members of my family. And sometimes I'm not too sure about all of them."

Reputation and professionalism are crucial elements of source development. Comportment and punctuality also count. Prove yourself accurate, careful and fair, and sources will come, although it may take time.

New reporters should salt their beat with business cards. Show potential sources that you are accessible and responsive – to both praise and criticism.

You can't reasonably be expected to know a beat thoroughly in less than 18 months, and some crime reporters spend a lifetime cultivating police sources. No matter how many accurate, honest articles you write, your relationship with a police agency can go sour on a single story that is regarded as "anti-cop." When that happens, make your case to key sources and hope they agree.

Board of Directors
Look outside the agency you cover for expert sources in specialized areas. Consider it your informal source board of directors.

Reliable experts can offer advice, guidance and analysis. Develop long-term relationships with sources whose expertise might be needed repeatedly – advocates, academics, experts or even gadflies. These sources may be quoted in stories. They might also be called on for off-the-record guidance or story ideas.

Here are some of the subjects that come up frequently on the crime beat:

  • Police training, ethics and personnel issues
  • Police budgets and financing
  • Crime-fighting strategies
  • Police use of force and weapons technology
  • Police communications, including radios and computers
  • Crime statistics
  • Civil rights and legal process, including Miranda and rules of evidence
  • Forensics, crime scenes and investigation procedures
  • Crime victim advocacy
  • Organized crime and gangs
  • Fraud and white-collar crime
  • Computer crime
  • Missing persons

Police-Media Relations
This can vary broadly from city to city, but rare is the police department that has a warm relationship with the local media. Cops may see you as an opponent. They may not impede your work, but neither will they make it easier.

The goal of a crime reporter should be to earn respect – not admiration – of police sources through accuracy, fairness and impartiality. In some police pressrooms, certain reporters are known as pro-police. They may get the first interview with a policeman's widow, but they will not get respect.

Consider that some news operations with more than one police reporter have had success turning the good-cop/bad-cop routine on the police.

PIOs
The 20-year trend in police reporting has been toward limiting access to "real" cops in favor of a police spokesman or public information officer.

An earnest, professional PIO can be a helpful source when it comes to the efficient, timely transmission of information. But a PIO who tries to impede your access or who serves as a promotional flack for his agency or boss is more hindrance than help.

Here are two arguments against the PIO filter: 1. Cops directly involved in an investigation get their due when journalists are allowed to speak with them directly. 2. Information is more accurate when it comes directly from the primary investigator.

Issues of motivation matter, as well.

During a media-relations panel at a police convention a few years ago, a PIO from Florida said he had two occupational priorities: No. 1, to make his police chief look good, and, No. 2, to make his police department look good.

He added that any police spokesman who didn't agree was in the wrong job. No spokesman among the 75 in the room raised a hand to disagree.

Perhaps the customers of both the media and police departments are best served if there is an adversarial edge to our relationship. Neither can claim to be an unadulterated advocate for the public.

We may need one another, but we need not love one another.

New Paradigm
An example of the new "briefing" paradigm of police-media relations was evident during the 2002 suburban sniper probe in the Washington, D.C., area.

The case attracted keen media attention and scores of reporters. A suburban police chief staged a mass briefing of the media as often as four times per day. The chief apparently believed the information he released during these briefings should have sufficed. He lashed out angrily when journalists uncovered "unauthorized" details, such as the tarot card left at the scene of one shooting. He also lashed out at the use of secondary, "talking head" sources, such as the retired law enforcement officials who work as paid TV news consultants. The chief said these were spurious sources because they were not privy to official briefings.

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© 2003 Criminal Justice Journalists

Created with the cooperation of the Institute for Justice and Journalism, Annenberg School for Communication, University of Southern California,
and the Jerry Lee Center of Criminology, University of Pennsylvania

Made possible by a grant from the Ford Foundation